Showing posts with label Documentary. Show all posts
Showing posts with label Documentary. Show all posts

Film Review - Going Clear: Scientology and the Prison of Belief

Copyright: HBO Documentary Films
For a religion that believes in weird aliens and events that include dropping nuclear bombs into volcanoes full of dead bodies 70 million years ago, Scientology can sure be much grounded in the present time and things like lawsuits and harassment.

In this documentary by Alex Gibney, the same religion/corporation/cult is shown through the perspective of those who have left it over the years. While this might seem like a narrative which offers only a single vantage point to an issue, as the documentary proceeds, it becomes clear why David Miscavige, Tom Cruise and all others who might represented Scientology declined to appear in the film.

Generally, Scientology can be perceived as a single man’s desire to find wealth, power and personal emotional and psychological healing through the same endeavor. This man is L. Ron Hubbard, a sci-fi writer who transformed his fiction into pseudo-psychotherapy, and then transformed it into a religion.

While the tone of the film is very somber and dark, everything about Hubbard to me seem really uplifting and energetic, in spite of his obvious serious mental issues. Here, the documentary shines in depicting an emotionally extremely unbalanced person making up total nonsense and then channeling it into a system to be sold to others.

The same system gradually becomes a corporation worth many billions of US dollars, masked in a religion (mainly for tax purposes). As the history of Scientology begins to unravel over the years, so do different characters begin to enter the fold. They all became part of the same religion at some point in their life, but then decided to get out for different reasons, which can be boiled down to insanity of the original creation tale and the tyrannical relationships that became a regular occurrence inside of Scientology hierarchy. The film juggles these stories really well, producing an overarching idea that there is something seriously wrong with the entire Scientology deal.

For me, the most fascinating thing about the entire documentary is the fact how Scientology simply sucks in anything resembling PR. Instead of taking some pointers from Coca-Cola, the Vatican or any other large corporation on the planet, David Miscavige and the rest of the top Scientology circle decided to make up their own system for combating any dissent. For them, there is obviously no soft approach or making an effort to absorb the blows. The only way to combat those who disagree with them is to fight them, internally and externally. At the same time, their assets and revenue stream continued to grow. The result is a strange group of people wielding so much money and power that they could truly present a global danger.

Fortunately, thanks to the fact that their belief system is so fundamentally weird, even for religious standards, they do not have it in them to communicate their message to a broader audience, especially one that does not have any substantial amounts of money (the poor masses have always been the top audience for a growing religion). Instead, Going Clear: Scientology and the Prison of Belief show they have the power to really mess up individual lives, but even that seems to be dwindling.

Great thing about documentaries like is the fact that they are extremely entertaining and really do provide valuable insight that will probably help some people to say to their potential Scientology recruiters that they are not interested in becoming a new paying customer for their cult corporation.

Crowdfunding push: The Price of Love

In this crowdfunding campaign called The Price of Love, a documentary examines the harsh nature of immigration laws currently in place in the UK. The film's official Indiegogo page states:

Thousands of British citizens have lost the right to have their non-EU husband or wife live with them in their home country, simply because they do not earn enough money. The level set at £18,600 per year is considerably higher than the the national average wage, meaning that many Brits have effectively been told they cannot afford to fall in love.

Tragically, this rule has meant that many young children are being kept apart from a parent for prolonged periods of time.

The Price of Love takes a closer look at these rules and asks whether it is morally just to keep families apart based purely on income.

The film is a creation of Don McVey, a director who first noticed this story in 2012, but struggled to find the funding for it. From the looks of the shots in the promo, it dives deep into this problem, but also into the phenomenon of subtle (and less subtle) immigration fear that continues to grow in the European states and shows the human cost of it all. The campaign is currently in its final hours, having reached almost 90% of its goal. Check out The Price of Love Indiegogo page and see if how you can help.

If you're looking for exposure for your film-related project, contact me right here.

Review: This Is Not a Film

Copyright: Kanibal Films Distribution
Art is liberty, or at least it should be. In the case of Jafar Panahi, an Iranian film director, art became a liability after he received a six-year prison sentence, along the additional twenty-year ban on film-making.

This movie opens with him in his Teheran apartment, were Panahi is under house arrest. While he awaits the outcome of his legal battle against the sentence he received on the charges of creating propaganda against the Iranian government, he decides to “make” his last planned movie, or at least try’s to present its plot and scenes through narration and explanations. His friend and long time associate Mirtahmasb comes over and start to film him making improvised floor plans of houses and other locations, all in his living room. In the same time, outside, celebration of the Persian new year starts to sound more and more like gunshots from possible street clashes.

This documentary beautifully and without much fuss depicts the artistic spirit and its determination not to be suffocated. When Panahi is left with nothing more than some pillow and duct tape, he uses those thing that to tell his story about a fictional girl in a small Iranian town, a movie he wasn’t able to make. His passion is clear, even though now, after so many years of filmmaking combined with judicial persecution by government forces of the Islamic republic, it isn’t a burning desire, but a calm, indestructible mountain, hidden in a regular looking, middle-aged family man.

This Is Not a Film doesn’t cover politics in any obvious way and is most definitely not a platform from were Panahi can speak about the injustice that bestowed him. During the movie, he isn’t angry or distraught, but mostly melancholic more than anything else. Also, he isn’t blinded by his fate and consequence of any jail time. While he and Mirtahmasb talk and film each other, Panahi still worries about his wife and children who are on a family visit, and talks to them on a regular basis, just like any other father and husband.

This documentary had to be smuggled out of the country for the world to get the opportunity to see it. Teheran probably felt like it would be depicted as a repressive regime, but instead of that we got the see what a banishment from art feels like, at the same time, that it’s not really possible to destroy a person’s need to do exactly that.